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The Paper Stretcher
Written by Joe   
Sunday, 30 March 2008
Many of Atlanta's old newspaper people put together books from the 1940s up to the 1980s where they sort of petered out as far as I can tell. One of my favorites was an old Journal guy named Ernie Rogers. One of my favorites of his books is Peachtree Parade from 1956 where he tells a bunch of great stories about the culture of the papers back in the day highlighting how compact the media folks were back then and their sense of playfulness. Too bad all the TV stations didn't end up in the core of downtown, maybe something of that would still be with us. Here's a great story he tells about breaking in the new kid:
 
In news parlance a "Bulldog" is an edition of the paper that is predated. In other words, the "Bulldog" edition of the Sunday paper is printed Saturday night but carries a Sunday dateline. So, with this brief lesson in newspaperese, we may proceed to the case of the outraged copy boy.
 
It was not unusual during my days in the city room for office boys to undergo a bit of hazing during the first day or two they were on the job. They would be sent on this wild goose chase or that and the resultant merriment from the youth's discomfiture would lighten the tedium of a tough day in the typewriter pits.
 
When a large, awkward office boy named Cecil had been on the job only a short time, it occured to one fo the ocpy readers that he should be sent over to The Constitution, then located across the railroad tracks from The Journal, to obtain a paper stretcher, of which there is no such.
 
"What's that?" inquired Cecil when told the item he was to get.
 
"It's a device for stretching paper," the copyreader explained. "Sometimes the paper on which The Journal is printed comes in rolls that are too narrow, in which case the paper must be stretched."
 
With these words of explanation in his ears Cecil set out for The Constitution building to get a paper stretcher, but unfortunately there wasn't a single one on the premises. But said The Constitution fellow, there was a good chance that one could be found at The Atlanta Georgian office. At the Georgian office, though, they had just run out of paper stretchers but, in all likelihood, one couuld be found at The Ruralist Press. And on it went.
 
Finally, although it took some time to do it, Cecil got wise to the fact that he was being suckered and came on back to the office, where he joined, although somewhat feebly, in the general laughter. Of one thing he was certain, though. He wasn't going to fall for any more gags.
 
But hardly had the resolute copy boy made himself comfortable in an office chair before there was a call from Major Cohen's office for a copy boy. Cecil was elected.
 
"Yes, sir," Cecil said as politely as you please when he entered the office of the editor.
 
"I wish you would go down to the pressroom and get me four Bulldogs," the Major requested.
 
Cecil, who wasn't the kind of fellow you could catch napping a second time, drew himself up to his full height and gave the editor an publisher of The Journal a withering look.
 
"And just who do you think you're kidding?" the enlightened copy boy said in tones of extreme disgust as he stalked out of the Major's office. 
 
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Last Updated ( Tuesday, 01 April 2008 )
 
Atlanta's First Penthouse
Written by Chris Riggins   
Sunday, 16 March 2008

The first penthouse apartment in Atlanta was created in 1931, atop the Ponce de Leon Apartments.

In 1931, Peggy Oliver, née Margaret Hardwick, the wife of J. M. Oliver, operating manager of Georgia Power, created Atlanta's very first penthouse apartment atop The Ponce. She was extending a trend only then recently popular in New York City of re-purposing smaller, rooftop apartments--making what was the least of spaces into the most desirable.

Mr. and Mrs Oliver arrived in Atlanta in 1929, and Mrs. Oliver began the conversion in the summer of 1931, deliberately choosing the apartment in the hottest part of the year on the assumption that if it was livable then, it would be livable all year round. She found the apartment full of beds and bureaus, as the many windows supplied ample ventilation for even summer sleeping.

The penthouse space remains a quirky one, though somewhat mellowed under more modern renovations, but what Mrs. Oliver found that summer of 1931 is still apparent, a place of angles and beams and things in unexpected places. The space was in some ways more modern-seeming than now, with exposed beams and pipes, long since covered over. Mrs. Oliver had a partition removed, creating a more open plan, but created the kitchen directly off of what became the living room as a tiny triangle.

Mrs. Oliver brought a Moderne sensibility to the furnishings and decor, having stayed in Paris for a time, and used her collection of illustrations for reference in the conversion. She had the walls painted in vibrant shades, including cobalt, "Maxfield parrish" blue. Much of the furniture was custom made to fit the unusual dimensions, and was finished in gleaming aluminum and black enamel paint. The upholstry was of satin, leather and permatex in black, vibrant red & bright white. By contrast to the Moderne style, Mrs. Oliver had the kitchen designed in country fashion, with checked curtains and scrubbed boards.

In a final quirky touch, Mrs. Oliver, who was "one of the first hostesses in Atlanta to receive guests informally in pajamas," used the wall behind the front door as her guest book. She had guests sign the wall itself in pencil.

Mr. & Mrs. Oliver's time in the penthouse was brief, according to the city directories at the Atlanta History Center. They are no longer listed as residentsof the Ponce as early as 1934. Sometime after, the building superintendant, Mr. R. L. Swett and his family occupied the penthouse until his death in the late 1940's. In the summer of 1976, Charley Henderson, "a PR impresario" became the 11th resident of the penthouse. He continued the tradition of lively tenants, flying kites off the roof & hosting parties for as many as 400 costumed guests upon the roof. The current resident of the penthouse is your author; I'm doing my best to keep up the traditions.

This article is sourced from two AJC articles, one from 1932 & the other from 1979.

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Last Updated ( Monday, 17 March 2008 )
 
Lemuel Grant mansion
Written by Joe   
Friday, 14 March 2008

I got to take a tour of the Lemuel Grant mansion on Saint Paul. It now serves as the HQ of the Atlanta Preservation Society and Boyd Coons led the tour. When I lived over there in the late 90s, only the central part had a roof with both sides being completely open to the elements. It doesn't look much different from the front but they have installed a roof over the entire structure now.
 

Last Updated ( Monday, 17 March 2008 )
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